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Wells Coates - The Architect
Overview
Wells
Coates was a leading light of British modernism. Born in Japan in
1895, he spent his early life in the Far East, studied engineering
in Canada and England and began his career as an architect in London
in 1928. His most important buildings were built in Britain in the
thirties: Embassy Court in Brighton and Lawn Road Flats in Hampstead,
London are the most famous. Coates' final years were spent back
in Canada, where he died in 1958.
Wells
was an idealist who believed passionately in "an architectural
solution of the social and economic problems of today", and
"a Future that must be planned rather than a Past that must
be patched up, at all costs
.". Coates saw it as his duty
to formulate clearly what kind of buildings modern architects should
be producing and his designs of flats, shops, offices, houses, interiors,
radios, boats and more are evidence of his commitment to a functional
aesthetic and a refusal to compromise his own exacting standards.
Wells
was a pioneer of industrial design because he demonstrated the importance
of understanding technical processes in order to design competently.
His insistence on developing prefabrication and industrial methods
put him in the ranks of all those modern architects for whom architecture
and planning became above all a social goal. His importance lies
in the timeless value of his designs and his application of fundamental
principles of design, which never change. It also lies in the inestimable
help he gave in persuading manufacturers, the public and the establishment
that good design in industry pays.
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Photo of Coates as featured in Vogue
magazine
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Early
Life and Influences
Wells
Wintemute Coates was born in Japan in 1895, the eldest son of Canadian
Methodist missionaries. His mother Agnes Wintemute was an early
influence on his designs; she had studied architecture under Louis
Sullivan and planned (as well as taught in) one of the first missionary
schools in Japan.
Coates
often spoke about Japanese life, architecture and the profound effect
it had on him and his work. Addressing architectural students in
Vancouver in 1957 he told them: "I have never been to a school
of Architecture. Indeed, I have never been to school at all for
I was born in the Far East, in Japan, where no such facilities existed,
and my own course was directed by private teachers; a French governess,
a Japanese painting master, a Japanese architect-builder who taught
the skills of shaping materials into elements of structure, and
the arts of regulation of dimensions pleasing to the eye and the
mind
."
At
the age of seventeen he embarked on a world cruise with his father
and tutor, GEL Gauntlet (who besides academic tuition, had taught
him paper making and printing, spinning, weaving and dyeing, boat
building, cooking and the ritual of serving food). They travelled
to China, Java, Burma and India, Egypt, Europe, eastern USA and
Canada. The tour finished in Vancouver where Coates went on to study
engineering at the University, completing his BA and BSc degrees
after the First World War. (Coates fought with the Second division
of Canadian Gunners in the trenches in France and Belgium and later
became a fully trained pilot with the RAF).
Coates
continued his studies at London University and then during the 1920s
began work as a journalist (Science Correspondent) in Vancouver,
Paris and London (for the Daily Express). He also worked at the
offices of Adams and Thompson (Thomas Adams was a leading town planner)
where he met and befriended the architect Maxwell Fry (link to biog
of Maxwell Fry?). In 1925 he spent several months in Paris where
he reviewed the 'Exposition des Arts Decoratifs' for the Daily Express
and became aware of Le Corbusier's work and his 'Maison Minimum'
(Link to info about Corbusier?)
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Work
and Achievements
1928
Coates
began his career as an architect when Tom Heron of Cresta Silks
commissioned him to design shops in London, Bournmouth , Bromley
and Brighton. The work included the CRESTA lettering itself.
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Photo from 'Three Cresta Shops', Architectural
review December 1931
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D-Handles
designed, patented and produced for the Cresta Silks shops are one
of the small number of commercially successful Wells Coates inventions,
versions of which have become modern sta\ndards.
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Photos of d handles, then and now
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1931
Conversion
of 1 Kensington Palace Gardens
Coates
was given sufficient money and a free hand to remove the late Victorian
fittings and to re-design everything.
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Photos taken by Coates of interior before
and after his conversion.
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In
1931 Coates also designed studios in the BBC's new Broadcasting
House in Portland Place
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A BBC studio designed by Coates
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1934
The EKCO AD 65 radio
Coates'
'AD 65' circular wireless in bakelite, won a competition run by
E.K. Cole Ltd (EKCO). The 'AD 65' became a best seller and began
a long and productive relationship with the company.
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The
EKCO AD 65 radio
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The
pioneering prefabricated Sunspan house
The Sunspan house was exhibited at the Daily Mail Ideal Home Exhibition
at Olympia where it was seen as 'perhaps the first serious English
contribution to domestic planning forms since ... the beginning
of this century'.
..............................................................................
The
Lawn Road Flats were commissioned by Jack and Molly Pritchard. Originally
called the Isokon Flats, this block of flats in Hampstead, north
London, remains his best-known building (as well as his first).
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A publicity poster for the Lawn Road Flats and the Lawn Road
Flats (or Isokon Flats) by night
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1935
18
Yeoman's Row


Images
from 'A
Catalogue of Design Influences', California State University,
Northridge.
The
studio flat completed. Its design aimed to squeeze the greatest
possible utility and comfort out of the smallest possible dimensions.
Coates lived here until 1955.
1936
Embassy
Court completed - the country's first penthouse block of flats was
built on the seafront in Brighton.
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Embassy Court's roof area and penthouses
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The
design allowed all the living rooms and principal bedrooms to have
a direct or oblique view of the sea and the flats incorporated electrical
equipment, fitted kitchens with built in refrigerators and a range
of tubular steel furniture designed by Coates. Visit our Embassy
Court page for detailed information about this building or look
at the floor plans.
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Edward McKnight Kauffer mural designed for the foyer of Embassy
Court
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1938
MARS
Group exhibition
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Fund-raising flyer for the Mars Exhibition, printed in 1937
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1939
10
Palace Gate. Coates' last block of flats.

Image
from 'Inventions'
page at www.wellscoates.org
See abovementioned page for further information
about this project.
1940
Served
in the RAF, working on fighter aircraft development for which he
was later awarded an OBE
1946
Launched
his revolutionary 16-foot 'Wingsail' Catamaran.

1951
Designed
the Telekinema for the Festival of Britain
1954
Launched
the thirty-foot Fey Loon (Flying Dragon), which featured 'Windsail'
rigging.
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Drawing of Fey Loon from a letter sent to Laura.
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Ideals
and Published Work
1931
'Inspiration
from Japan', Architects Journal, November 4, 1931
Japanese themes recur constantly in Coates' writing and work. In
1952 Walter Gropius (founder of the Bauhaus movement ) visited Japan
with his wife Ise as a result of Coates' enthusiasm and encouragement.
He commented: 'The old Japanese house is the most modern in conception
I know of - a real revelation for me. Why didn't you force us to
stop everything and go to this country long ago?'
1932
'Response
to Tradition' Architectural Review, November 1939
The essay was a written statement of his architectural ideals and
raised vital questions which must still be asked today.
'Must
we continue to accept the meaningless jumble of styles, the ugliness
of contemporary building? Can steel and concrete replace bricks
and stone? Can we not perhaps progress from 'ancestor-worship in
design' to a more vital tradition?'
'...As
young men, we are concerned with a Future which must be planned,
rather than a Past which must be patched up, at all costs.'
'It
is for architects to invent, and to exhibit, a new architecture
which will quite naturally be accepted and demanded by the people.'
For further reading, see the Wells
Coates bibliography (from www.wellscoates.org). This includes
a list of articles and lectures by Wells Coates as well as a list
of exhibitions that he participated in. It also features information
about Laura Cohn's book, The Door to a Secret Room.
1933
UNIT
ONE
A new society of painters, sculptors and architects was formed.
Members included Coates, Colin Lucas, Henry Moore, Barbara Hepworth,
Edward Wadsworth, Ben Nicholson, Paul Nash, Frances Hodgkins, Edward
Burra, John Bigge and John Armstrong.
MARS
formed
Together with several others, including Maxwell Fry and David Pleydell-Bouverie,
Coates founded the British component of CIAM (International Congress
of Modern Architecture) the Modern Architectural Research group.
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Personal
Life
In
1925 Wells met Marion Grove, a student at the London School of Economics.
Born in China where her father built railways, she was emancipated,
very left wing, beautiful, daring and 'modern' in the style of the
1920's.
The
following year they parted and Wells embarked on a soul-searching
journey to British Columbia in Canada with his friend Alfred Borgeaud.
The journey ended prematurely and dramatically when tragically Borgeaud
was killed falling from a freight train.
Back
in England Marion contacted him by letter; they were reconciled
and in August 1927 they married. A happy time followed, socialising
with fashionable writers, publishers and artists. Their daughter
Laura was born in 1930.
Marion
and Laura moved to Amberley in Sussex. Although he intended to commute
to London and also Brighton where one of the Cresta shops was being
opened, Wells became busier and busier with work, including establishing
his relationship with Serge and Barbara Chermayeff, Jack Pritchard
and the BBC, and as a result spent more and more time away from
his young family. In 1935 a deed of separation was drawn up. On
the work front, opportunities also seemed to dry up for Coates.
Two years later Laura contracted double pneumonia and bronchitis
and Marion and Wells decided to rebuild their marriage. However
the reunion lasted less than a month and Marion eventually left
Laura and Wells.
In
later years Coates became dependent on the written relationship
he and his daughter Laura Cohn enjoyed. She recently published much
material from his letters in her biography, The Door to a Secret
Room. See our Shop for details, ordering
information and price.
Visit the website 'A
Portrait of Wells Coates' for further information.
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Uncompleted
Work and Final Years
1947
Room
Unit Production (RUP)
A form of prefabricated building construction in which Coates was
seeking to exploit industrialised building techniques in order to
providemore economical but flexible housing.
Images
from Simon
Allford's online essay, 'This was Tomorrow'
'Room
Units will arrive [from the factory] complete to the last light
switch; two matching halves will be joined by a LINK UNIT composed
of simple panels, and the job is done. Each Room Unit is completely
rendered and weatherproofed externally, and the only other site
operation is connecting the site mains to the service outlets and
inlets provided in each Unit.' The vision was that dwellings could
be 'ordered off the shelf' and added to or moved over the years
if required. Sadly, Room Units were never built.
1952-1954
Iroquois
New Town (INT)
He worked as a planning consultant on this ambitious scheme, which
was launched to re-house over a thousand people who had been flooded
out of their homes on the shores of Lake Ontario. Coates' vision
was for INT to be a centre of commerce, culture and art. The contract
was tendered out while Coates was in England clinching industrial
investment and he lost the contract.
1955
and 1956
Taught
at the Graduate School of Design at Harvard in Cambridge, Mass.
with Walter Gropius. Although he enjoyed the financial stability
this brought, he was uneasy working in the American academic environment
and in 1956 finally settled in Vancouver.
1956-1958
Project
58
a group of five who looked at URBAN DESIGN of the Central Area of
Vancouver with a view to putting on a grand exhibition. The project
was never completed.
1957-1958
Monospan
Twin-Ride System (MTRS) - Vancouver
In the last year of his life Coates developed plans for a monorail
rapid transport system as a result of a research study he had undertaken
for the British Columbia Electric Company in Vancouver. His vision
was to double the capacity of passengers travelling using cleaner,
cheaper and more compact forms of travel. His solution was finally
rejected by an industry committed to existing systems of transport
and materials used.
Weakened
by a string of stresses, angers and frustrations, Coates had a major
heart attack in 1957. In the months that followed his weak state
was worsened by financial worries.
His
death by heart attack happened in 1958 on a beach in Vancouver where
he took pictures of a sailing schooner from Japan and bathed and
picnicked with friends.
Coates
was fond of quoting Santayana:
'The
visible world offers itself to our regard with a certain lazy indifference...Peruse
me, it seems to say...If you come to me, I am here; and even if
you pass me by now, and later find it to your advantage to re-survey
me, I may still be here.'
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