HOMEPAGE
FRIENDS OF EMBASSY COURT
EMBASSY COURT - PAST, PRESENT AND FUTURE
WELLS COATES
SHOP AND GALLERY
NEWS / PRESS / ARCHIVES
TOUR
CONTACT / LINKS
WHAT'S HAPPENING NOW?
WHAT'S HAPPENING NOW?


Wells Coates - The Architect

   

Overview

 

Early Life and Influences

 

Work and Achievements

   

Ideals and Published Works

  Personal Life   Uncompleted Work and Final Years

 

 

 






 

 


Overview

Wells Coates was a leading light of British modernism. Born in Japan in 1895, he spent his early life in the Far East, studied engineering in Canada and England and began his career as an architect in London in 1928. His most important buildings were built in Britain in the thirties: Embassy Court in Brighton and Lawn Road Flats in Hampstead, London are the most famous. Coates' final years were spent back in Canada, where he died in 1958.

Wells was an idealist who believed passionately in "an architectural solution of the social and economic problems of today", and "a Future that must be planned rather than a Past that must be patched up, at all costs….". Coates saw it as his duty to formulate clearly what kind of buildings modern architects should be producing and his designs of flats, shops, offices, houses, interiors, radios, boats and more are evidence of his commitment to a functional aesthetic and a refusal to compromise his own exacting standards.

Wells was a pioneer of industrial design because he demonstrated the importance of understanding technical processes in order to design competently. His insistence on developing prefabrication and industrial methods put him in the ranks of all those modern architects for whom architecture and planning became above all a social goal. His importance lies in the timeless value of his designs and his application of fundamental principles of design, which never change. It also lies in the inestimable help he gave in persuading manufacturers, the public and the establishment that good design in industry pays.


Photo of Coates as featured in Vogue magazine

top

Early Life and Influences

Wells Wintemute Coates was born in Japan in 1895, the eldest son of Canadian Methodist missionaries. His mother Agnes Wintemute was an early influence on his designs; she had studied architecture under Louis Sullivan and planned (as well as taught in) one of the first missionary schools in Japan.

Coates often spoke about Japanese life, architecture and the profound effect it had on him and his work. Addressing architectural students in Vancouver in 1957 he told them: "I have never been to a school of Architecture. Indeed, I have never been to school at all for I was born in the Far East, in Japan, where no such facilities existed, and my own course was directed by private teachers; a French governess, a Japanese painting master, a Japanese architect-builder who taught the skills of shaping materials into elements of structure, and the arts of regulation of dimensions pleasing to the eye and the mind…."

At the age of seventeen he embarked on a world cruise with his father and tutor, GEL Gauntlet (who besides academic tuition, had taught him paper making and printing, spinning, weaving and dyeing, boat building, cooking and the ritual of serving food). They travelled to China, Java, Burma and India, Egypt, Europe, eastern USA and Canada. The tour finished in Vancouver where Coates went on to study engineering at the University, completing his BA and BSc degrees after the First World War. (Coates fought with the Second division of Canadian Gunners in the trenches in France and Belgium and later became a fully trained pilot with the RAF).

Coates continued his studies at London University and then during the 1920s began work as a journalist (Science Correspondent) in Vancouver, Paris and London (for the Daily Express). He also worked at the offices of Adams and Thompson (Thomas Adams was a leading town planner) where he met and befriended the architect Maxwell Fry (link to biog of Maxwell Fry?). In 1925 he spent several months in Paris where he reviewed the 'Exposition des Arts Decoratifs' for the Daily Express and became aware of Le Corbusier's work and his 'Maison Minimum' (Link to info about Corbusier?)

top

Work and Achievements

1928

Coates began his career as an architect when Tom Heron of Cresta Silks commissioned him to design shops in London, Bournmouth , Bromley and Brighton. The work included the CRESTA lettering itself.


Photo from 'Three Cresta Shops', Architectural review December 1931

 

 

 

 

 

 

 

 

 

 

D-Handles designed, patented and produced for the Cresta Silks shops are one of the small number of commercially successful Wells Coates inventions, versions of which have become modern sta\ndards.

 

Photos of d handles, then and now

 

 

 

 

 

 

1931

Conversion of 1 Kensington Palace Gardens

Coates was given sufficient money and a free hand to remove the late Victorian fittings and to re-design everything.

 

Photos taken by Coates of interior before and after his conversion.

In 1931 Coates also designed studios in the BBC's new Broadcasting House in Portland Place


A BBC studio designed by Coates

1934

The EKCO AD 65 radio

Coates' 'AD 65' circular wireless in bakelite, won a competition run by E.K. Cole Ltd (EKCO). The 'AD 65' became a best seller and began a long and productive relationship with the company.


The EKCO AD 65 radio

 

 

 

 

 



The pioneering prefabricated Sunspan house

The Sunspan house was exhibited at the Daily Mail Ideal Home Exhibition at Olympia where it was seen as 'perhaps the first serious English contribution to domestic planning forms since ... the beginning of this century'.

..............................................................................

The Lawn Road Flats were commissioned by Jack and Molly Pritchard. Originally called the Isokon Flats, this block of flats in Hampstead, north London, remains his best-known building (as well as his first).

 

A publicity poster for the Lawn Road Flats and the Lawn Road Flats (or Isokon Flats) by night

1935

18 Yeoman's Row



Images from 'A Catalogue of Design Influences', California State University, Northridge.

The studio flat completed. Its design aimed to squeeze the greatest possible utility and comfort out of the smallest possible dimensions. Coates lived here until 1955.

1936

Embassy Court completed - the country's first penthouse block of flats was built on the seafront in Brighton.


Embassy Court's roof area and penthouses

The design allowed all the living rooms and principal bedrooms to have a direct or oblique view of the sea and the flats incorporated electrical equipment, fitted kitchens with built in refrigerators and a range of tubular steel furniture designed by Coates. Visit our Embassy Court page for detailed information about this building or look at the floor plans.


Edward McKnight Kauffer mural designed for the foyer of Embassy Court

1938

MARS Group exhibition

Fund-raising flyer for the Mars Exhibition, printed in 1937

1939

10 Palace Gate. Coates' last block of flats.

Image from 'Inventions' page at www.wellscoates.org

See abovementioned page for further information about this project.

1940

Served in the RAF, working on fighter aircraft development for which he was later awarded an OBE

1946

Launched his revolutionary 16-foot 'Wingsail' Catamaran.

1951

Designed the Telekinema for the Festival of Britain

1954

Launched the thirty-foot Fey Loon (Flying Dragon), which featured 'Windsail' rigging.


Drawing of Fey Loon from a letter sent to Laura.

top

Ideals and Published Work

1931

'Inspiration from Japan', Architects Journal, November 4, 1931

Japanese themes recur constantly in Coates' writing and work. In 1952 Walter Gropius (founder of the Bauhaus movement ) visited Japan with his wife Ise as a result of Coates' enthusiasm and encouragement. He commented: 'The old Japanese house is the most modern in conception I know of - a real revelation for me. Why didn't you force us to stop everything and go to this country long ago?'

1932

'Response to Tradition' Architectural Review, November 1939

The essay was a written statement of his architectural ideals and raised vital questions which must still be asked today.

'Must we continue to accept the meaningless jumble of styles, the ugliness of contemporary building? Can steel and concrete replace bricks and stone? Can we not perhaps progress from 'ancestor-worship in design' to a more vital tradition?'

'...As young men, we are concerned with a Future which must be planned, rather than a Past which must be patched up, at all costs.'

'It is for architects to invent, and to exhibit, a new architecture which will quite naturally be accepted and demanded by the people.'

For further reading, see the Wells Coates bibliography (from www.wellscoates.org). This includes a list of articles and lectures by Wells Coates as well as a list of exhibitions that he participated in. It also features information about Laura Cohn's book, The Door to a Secret Room.

1933

UNIT ONE

A new society of painters, sculptors and architects was formed. Members included Coates, Colin Lucas, Henry Moore, Barbara Hepworth, Edward Wadsworth, Ben Nicholson, Paul Nash, Frances Hodgkins, Edward Burra, John Bigge and John Armstrong.

MARS formed

Together with several others, including Maxwell Fry and David Pleydell-Bouverie, Coates founded the British component of CIAM (International Congress of Modern Architecture) the Modern Architectural Research group.

top

Personal Life

In 1925 Wells met Marion Grove, a student at the London School of Economics. Born in China where her father built railways, she was emancipated, very left wing, beautiful, daring and 'modern' in the style of the 1920's.

The following year they parted and Wells embarked on a soul-searching journey to British Columbia in Canada with his friend Alfred Borgeaud. The journey ended prematurely and dramatically when tragically Borgeaud was killed falling from a freight train.

Back in England Marion contacted him by letter; they were reconciled and in August 1927 they married. A happy time followed, socialising with fashionable writers, publishers and artists. Their daughter Laura was born in 1930.

Marion and Laura moved to Amberley in Sussex. Although he intended to commute to London and also Brighton where one of the Cresta shops was being opened, Wells became busier and busier with work, including establishing his relationship with Serge and Barbara Chermayeff, Jack Pritchard and the BBC, and as a result spent more and more time away from his young family. In 1935 a deed of separation was drawn up. On the work front, opportunities also seemed to dry up for Coates. Two years later Laura contracted double pneumonia and bronchitis and Marion and Wells decided to rebuild their marriage. However the reunion lasted less than a month and Marion eventually left Laura and Wells.

In later years Coates became dependent on the written relationship he and his daughter Laura Cohn enjoyed. She recently published much material from his letters in her biography, The Door to a Secret Room. See our Shop for details, ordering information and price.

Visit the website 'A Portrait of Wells Coates' for further information.

top

Uncompleted Work and Final Years

1947

Room Unit Production (RUP)

A form of prefabricated building construction in which Coates was seeking to exploit industrialised building techniques in order to providemore economical but flexible housing.

 

Images from Simon Allford's online essay, 'This was Tomorrow'

'Room Units will arrive [from the factory] complete to the last light switch; two matching halves will be joined by a LINK UNIT composed of simple panels, and the job is done. Each Room Unit is completely rendered and weatherproofed externally, and the only other site operation is connecting the site mains to the service outlets and inlets provided in each Unit.' The vision was that dwellings could be 'ordered off the shelf' and added to or moved over the years if required. Sadly, Room Units were never built.

1952-1954

Iroquois New Town (INT)

He worked as a planning consultant on this ambitious scheme, which was launched to re-house over a thousand people who had been flooded out of their homes on the shores of Lake Ontario. Coates' vision was for INT to be a centre of commerce, culture and art. The contract was tendered out while Coates was in England clinching industrial investment and he lost the contract.

1955 and 1956

Taught at the Graduate School of Design at Harvard in Cambridge, Mass. with Walter Gropius. Although he enjoyed the financial stability this brought, he was uneasy working in the American academic environment and in 1956 finally settled in Vancouver.

1956-1958

Project 58

a group of five who looked at URBAN DESIGN of the Central Area of Vancouver with a view to putting on a grand exhibition. The project was never completed.

1957-1958

Monospan Twin-Ride System (MTRS) - Vancouver

In the last year of his life Coates developed plans for a monorail rapid transport system as a result of a research study he had undertaken for the British Columbia Electric Company in Vancouver. His vision was to double the capacity of passengers travelling using cleaner, cheaper and more compact forms of travel. His solution was finally rejected by an industry committed to existing systems of transport and materials used.

Weakened by a string of stresses, angers and frustrations, Coates had a major heart attack in 1957. In the months that followed his weak state was worsened by financial worries.

His death by heart attack happened in 1958 on a beach in Vancouver where he took pictures of a sailing schooner from Japan and bathed and picnicked with friends.

Coates was fond of quoting Santayana:

'The visible world offers itself to our regard with a certain lazy indifference...Peruse me, it seems to say...If you come to me, I am here; and even if you pass me by now, and later find it to your advantage to re-survey me, I may still be here.'

top